JOINT CONCLAVE and ANNUAL MEETINGS OF THE MIDWESTERN HISTORICAL KEYBOARD SOCIETY and THE SOUTHEASTERN HISTORICAL KEYBOARD SOCIETY In Beloit, Wisconsin 53511 at First Congregational Church, 801 Bushnell Street and on the campus of Beloit College, 700 College Street All events are in First Congregational Church except Thursday evening’s concert and Friday noon’s lunch. The evening concerts will be publicized to the local public; admission is free, but contributions or free-will offerings will be received. Local residents may visit any session without charge, but a contribution box will permit the visitors to contribute to the expenses. A silent auction will take place during the conclave. You may contribute and bid on items. Wednesday, May 26, 2010 Noon to 7 pm registration at First Congregational Church room check-in at Beloit College 3 pm Journal Oversight Committee meeting 4 pm MHKS and SEHKS Boards of Directors meetings 5 pm meeting of the Merger Coordination committee Praeludium Session, Max H. Yount, welcomer 7:15 pm Larry Palmer, lecture “Less is More, More or Less” 8:15 pm Gregory Crowell, organ recital “From Bach to Mendelssohn” Bach Passacaglia in c Minor Bach “Schmücke dich” J. L. Krebs “Wir glauben” W. F. Bach Two fugues Mendelssohn Two Songs without Words With Pablo Mahave-Veglia, cello Mendelssohn Prelude and Fugue in c Minor Mendelssohn Sonata IV (open to the public, freewill offering) Reception Thursday, May 27, 2010 Session One, Larry Palmer, Chair 8:45 am- 9:15 am H. Joseph Butler paper “Emulation and Inspiration: J. S. Bach’s Transcriptions from Vivaldi’s L’estro armonico 9:15 am-9:45 am Suzanne Cartreine paper “Editorial Practices of J. S. Bach During His 3rd Cantata Cycle at Leipzig” 9:45 am-10 am break 10 am-11:15 am Marcellene Hawk Mayhall, fortepiano, lecture-recital “J. S. Bach’s “Die Kunst der Fuge, manuscript version” 11:15-11:50 am Rebecca Pechefsky, harpsichord, mini-recital Johann Ludwig Krebs: Overture in the French Manner 12 noon-1 pm Bach’s Lunch Session Two, Chair 1 pm-1:30 pm Nancy Metzger, organ, mini-recital, “Mendelssohn Mysteries: a Short Recital of “New” Mendelssohn Works for Organ Prelude in C Minor (1841) Allegro assai in C Major (undated) Allegro moderato maestoso in C Major (undated) Andante in F (Trio – 1844) Allegro, Chorale and Fugue in D (1844) 1:30 pm-2 pm Elaine Dykstra, organ, mini-recital “Music of J. S. Bach performed by Mendelssohn” Pastorale in F Major BWV 590 From Orgelbüchlein: “Das alte Jahr vergangen ist” BWV 614 “Ich ruf’ zu dir, Herr Jesu Christ” BWV 739 Prelude and Fugue in A Minor BWV 543 2:15 pm-2:45 pm JoAnn Udovich, paper “Felix Mendelssohn and the Religious Enlightenment” 2:45-3pm break 3 pm-3:45 pm Colin Eatock, lecture “Mendelssohn and the Rise of Musical Antiquarianism” 3:45 pm-4 pm questions and discussion 4 pm-4:30 pm A tribute to Antonio de Cabezon (1510-1566) by Judith Conrad, clavichord Quien llamo al partir Tientos on the 4th and 8th tones Intermedios on the hymn Ave Maris Stella Intabulations of Douvienscala and Ye Prens en Gre Diferencias sobre el Canto llano del Caballero Diferencias sobre el villancico ¿Quién te me enojó Ysabel? 4:30 pm-5:45 pm Instrument demonstration, Paul Irvin,Chair dinner on your own 8 pm Concert in Eaton Chapel: An early 19th Century German Salon, Beethoven and Mendelssohn (open to the public, contribution at the door) Carol lei Breckenridge, fortepiano (1820s Graf piano by Rodney Regier) Pablo Mahave-Veglia, cello (1790’s Foster Cello), John Rommerein, baritone, Michael M. Herrick, poetic reader Beethoven Sonata in F for Fortepiano and Violoncello, Op. 5, no. 1 (1797) Beethoven “An die ferne Geliebte,” Op. 98 (1815-16) Mendelssohn Six Songs, Op. 57 Mendelssohn Sonata in D Major for Fortepiano and Violoncello, Op. 58 (1843) Reception Friday, May 28, 2010 Session Three, Chair 8:45 am-9:15 am Bethany Cencer, harpsichord, lecture recital “Performing Pietism: Kuhnau’s Biblical Sonatas” 9:15 am-9:45 am Stephen Gamboa, harpsichord, mini-recital Overture nach Französicher Art, BWV 831 Ouverture Courante Gavotte I Gavotte II Passepied I Passepied II Sarabande Bourée I Bourée II Gigue Echo 9:45 am-10 am break 10 am-10:45 am Joyce Lindorff and Michael Tsalka, duo harpsichordists, mini-recital “2 Concertos 2 Harpsichords” Wilhelm Friedemann Bach: Concerto in F Major (Wolny A12, Falck 10, c 1740) Allegro moderato Andante Presto J. S. Bach: Concerto in C Major, BWV 1061a, 1732-5) Allegro Adagio overro Largo Fuga 10:45 am-11:45 Colin Eatock, lecture “Mendelssohn and Victorian England” 11:45-12 discussion 12:15 pm-1:45 pm Buffet lunch and membership meetings in Beloit College Commons Session Four, David Sutherland, Chair 2 pm-2:30 pm Faythe Vollrath, harpsichord, mini-recital winner of the Bechtel Award for 2010 J. S. Bach: Toccata in d Minor, BWV 913 Toccata in D Major, BWV 912 2:30 pm-3 pm Nicholas Good, clavichord, mini-recital “German Clavichord music after J. S. Bach” Fantasia in A Minor (F23) W. F. Bach (1710-1784) Wilhelm Wolf (1735-1792) Sonata in E flat Major Cantabile Johann Ludwig Krebs (1713-1780) Polonaise CPE Bach (1714-1788) Allegro in A Minor 3 pm-3:15 pm break 3:15 pm-3:45 pm Shuann Chai, fortepiano, mini-recital Mendelssohn Prelude in e Minor, from Op. 35 Preludes and Fugues Clara Schumann Romance in a Minor Mendelssohn Variations serieuses, Op. 54 3:45 pm-4:15 pm Randall Love, fortepiano, mini-recital Mendelssohn: Scherzo a capriccio in f# Minor Chopin: Ballade, Opus 47, no. 3 in A-flat Major Schumann: Toccata, Op. 7 4:15 pm-4:45 pm Cheryl Bensman-Rowe, mezzo-soprano, and Vivian Mongomery, fortepiano, mini-recital “Reviving Song: Entwining Works by Fanny & Felix Mendelssohn” Prelude in e Minor Felix Mendelssohn (1809-1847) Verlust Fanny Mendelssohn (1805-1847) Dein is mein Herz Wanderers Nachtlied Die Mainacht Suleika “Tis the Last Rose of Summer Trad. Irish Fantasy on Last Rose of Summer Felix Mendelssohn dinner on your own 8 pm Concert Les Favorites: Ivar Lunde, Jr., baroque oboe; Lucinda Marvin, baroque violin; Laura Handler. Baroque violoncello; Tulio Rondon, viola da gamba; and Nanette G. Lunde, harpsichord Sonata No. 4 in G Major (1707) Jacquet de la Guerre for violin, viola da gamba and continuo Trio no. 3 in C Minor from Essercizzi Musici Telemann for violin, oboe and continuo Sonata No. VI in B flat Major, RV 46 Vivaldi for violoncello and continuo Sonata No. VI in C Major Besozzi for oboe and continuo, from Six Solos (1759) Chaconne in G Minor J. S. Bach Transcribed for harpsichord by Nanette G. Lunde from Chaconne in D Minor for solo violin Premier Concert Royal in G Major (1722) François Couperin For violin, oboe and continuo Fuga No. 6 from Sechs Praeludien und Fugen Mendelssohn Op. 35 (1833) arranged by Ivar Lunde, Jr. (open to the public, freewill offering) Saturday, May 29 Session Five, Gregory Crowell, Chair 9 am – 9:30 am Max H. Yount, harpsichord, morning tones and thoughts with morning coffee, tea and pastry 9:30 am-10:30 am Panel discussion with all the Experts 10:30 am-10:45 am break 10:45 am-11:15 am Sonia Lee, harpsichord, mini-recital “Lute Music by J. S. Bach on the Harpsichord” Prelude, Fugue and Allegro in E-flat Major, BWV 998 Suite in E Major, BWV 1006a, after Partita BWV 1006 for solo violin Prélude Loure Gavotte en Rondeau Menuett I & II Gigue 11:15 am-noon Ensemble SDG: Edith Hines, violin, and John Chappell Stowe, harpsichord and Lautenwerk in a concert of music by J. S. Bach Sonata no, 4 in c Minor, BWV 1017, for obbligato harpsichord and violin Siciliana Allegro Adagio Allegro performed on the harpsichord with violin Suite in A Major, BWV 1025, after or in collaboration with Silvius Leopold Weiss (1687-1750) Fantasia Courante Entrée Rondeau Sarabande Menuett Allegro performed on the Lautenwerk with violin tender farewell